Violin Sonata Strauss

Richard Strauss composed his Violin Sonata in E-flat major, Op. 18, in 1887, with publication following in 1888. Although not considered a landmark in violin repertoire, the sonata is frequently performed and recorded for its lyrical beauty and technical challenges for both violinist and pianist. Composed during Strauss’s romantic pursuit of soprano Pauline de Ahna, whom he later married, the work reflects his amorous feelings.

The sonata adheres to classical form in three movements: Allegro ma non troppo, Improvisation: Andante cantabile, and Finale: Andante - Allegro. The first movement opens with a piano solo, followed by lyrical violin interludes presenting thematic material. It follows sonata-allegro form, beginning melancholically but ending jubilantly. The second movement, titled "Improvisation," features tranquil violin passages that evoke spontaneity and maintains a singing tone throughout its ternary structure. The third movement begins with a meditative piano introduction, transitioning into an exuberant Allegro and concluding virtuosically.

Notable recordings include Jascha Heifetz’s 1934 interpretation with Arpad Sandor, as well as later recordings by Ginette Neveu, Gidon Kremer, Anne Akiko Meyers, Sarah Chang, Vadim Repin, Kyung-Wha Chung, and Itzhak Perlman. The sonata remains a popular choice for its lyrical beauty and technical demands.